Disease + The Girl with the Prefabricated Heart

An all-time great rock song and performance kicks off “16 Songs”. Here’s Allison Crowe live-in-concert – captured by Turtle Recording’s Larry Anschell (Engineer and Producer) and Brad Graham (Co-Engineer).

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Lyrical and social themes “as we replace marble with plastic” mesh visually with “Dreams That Money Can Buy” – the avant garde cinematic creation of German surrealist, Dadaist+ Hans Richter and collaborators. “The Girl with the Prefabricated Heart“, the second of DTMCB’s seven dream sequences, is shaped by the rich vision of French painter, sculptor, and filmmaker, Fernand Léger. This experimental feature film received the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.

“Power-house intense” says an European reviewer, “”the energy of ‘Disease‘ can easily provide electricity to a small country for a decade.”

Writing in Süddeutsche Zeitung, a major German daily newspaper, journalist Peter Baier sets the stage (in this translation): “From the outset the Canadian songwriter wins the favor of the audience and increases the expectations with her coloratural laugh. Allison Crowe plays the piano with a strong grip. Its sound fits perfectly to her slightly-smoky, expressive, in short: Great voice. Sometimes her playing recalls the keyboard-capers of Konstantin Wecker and then there are moments to bring to mind Modest Mussorgsky’s „Pictures at an Exhibition“.

(And in the original text: Bereits mit ihren ersten Ansagen gewinnt die kanadische Songwriterin mit eigenem Label die Gunst des Publikums, lässt mit ihrem Koloratur-Lachen die Erwartung auf Weiteres ansteigen. Mit kräftigem Zugriff spielt Allison Crowe das Klavier, zu dessen Klang ihre leicht rauchige, ausducksstarke, kurz: große Stimme hervorragend passt. Manchmal erinnert ihr Spiel an die Tasten-Eskapaden eines Konstantin Wecker, dann wieder gibt es Momente, die an den Stil von Modest Mussorgsky’s „Bilder einer Ausstellung“ denken lassen.)

“Amazing composition,” says another in the musician’s broadly international audience, “there is so much intellect in the music writing of Allison Crowe, which you don’t see anywhere these days, not from the new artists nor the established ones.”

It’s an intellect revealed in part via inspired musical choices and its energetic expression is visceral in nature. Energy flows from the performer on-stage to engulf concert-goers as well. Spontaneous eruptions – stomping feet, clapping hands, rhythmically pulsing bodies – accompany this song (a recent bootleg video from Jazzhaus Freiburg further testifies to this rocking reality).

http://www.youtube.com/watch?v=U6t4Gk15IB4

#1 of 16 Songs

Allison Crowe - 16 Songs Video Album - New Moon - Disease

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“16 Songs” Video Album from Allison Crowe = Music + Movie Magic

“Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make.”

That’s how Allison Crowe framed things near the start of this century before launching Rubenesque Records Ltd., one of the world’s truly independent music labels.

Through legendary live performances, broadcasts, and a dynamic oeuvre of recordings, globally-acclaimed and loved, Crowe’s distinguished herself among today’s finest songwriters, recording and concert acts, and as a supreme interpreter of popular song.

Combining versatility and virtuosity, the amazing Canadian musician transmits emotion into a visceral joy – sharing heart and soul with audiences.

Timeless artistic expression has its own tradition in Canada, a land plentifully represented by: wordsmiths & tunesmiths, Joni Mitchell, Leonard Cohen, Gordon Lightfoot and Neil Young; by jazz pianist/composer Oscar Peterson; classical composer Marjan Mozetich; in theatre and opera – beautiful voices of Teresa Stratas, Richard Verreau, Léopold Simoneau; and other sublime standard-bearers.

Allison Crowe’s singularity carries her across the globe and into such company as the Master of the Queen’s Music, Sir Peter Maxwell Davies, Britain’s Poet Laureate, Carol Ann Duffy, and dates with Canada’s Royal Winnipeg Ballet. Thrilling, fun, and moving, the Nanaimo, BC-born musician traverses Europe and North America from home-base in Corner Brook, Newfoundland earning hoorays even from Hollywood where appreciative movie Director Zack Snyder invited her to cameo in the latest Superman blockbuster.

Coming soon Allison Crowe releases “16 Songs” a video album reimagining century-spanning film, three decades of songwriting, and a dozen albums of modern music. Renowned for gorgeous, often ground-breaking, interpretations of Mitchell, Cohen, The Beatles, Pearl Jam +, Crowe’s set-list here is radiantly international, mixing original tunes (Disease, Circular Reasoning, Double-Edged Swords +) with covers of: Annie Lennox & Eurythmics, Radiohead, Tori Amos, Elton John & Bernie Taupin, Matthew Good, Hunters and Collectors.

"16 Songs" Video Album from Allison Crowe Coming Soon

16 Songs” Video Album from Allison Crowe Coming Soon

We’ve recently witnessed novel approaches to twinning of music and video releases in the American mainstream. In December 2013, pop superstar Beyoncé paired a video with each of her album’s 14 new song tracks adding three bonus music videos all as part of the “Beyoncé” album physical release. Partial clips of the vids were posted online upon the album’s surprise launch.

This Summer “Weird Al” Yankovic built upon the model of his 2011 “Alpocalypse” album. For his July 2014 release, “Mandatory Fun”, pop music’s über-parodist-satirist-accordionist amped awareness by production-partnering with an array of web portals to release eight videos online the same week his album’s 12 music tracks became available.

Allison Crowe’s music videos for most of this millennium comprise, either, documentary, live-in-performance, films (eg. the hugely popular “Tidings” series from director Alex Postowoi’s cinéma vérité crew), or, audio recordings with ‘still’ images. The exceptions – a pair of music videos in narrative style – were both made in 2003: “Midnight” (also directed by Steadiman’s Postowoi), and “Scared” (from the transmission2media duo of Angela Kendall and Brian Dutkewich – known for their later work with musical twins Tegan and Sara).

Starting with 2011’s luminous “Arthur” – a song exploring love, memory and aging – Crowe’s videos also marry her song recordings with vintage footage from home-movies, silent films and classics of Georges Méliès, Dimitri Kirsanoff, Nadia Sibirskaia, Salvador Dali, Dominique Monfréy, Josef von Sternberg, D.W. Griffith plus other pioneers and visionaries of cinema (impressionists, surrealists, Dadaists, avant gardists, pop-artists+).

“The strange thing about cinema, and this would go for television film, is that no one really knows why music is needed. I would say after a lifetime in it I could not tell you why. But it is not complete without it… As a matter-of-fact, I may be bold enough to say that with very few exceptions, a piece of film, or a film cannot come to life without the help of music of some kind,” reflected composer Bernard Herrmann, a frequent collaborator with film director Alfred Hitchcock.

The “Master of Suspense”, Hitch himself, observed: “Art is emotion.”

16 Songs” is an artful collection of Allison Crowe musical works with visuals from great creators and innovators – film-makers, animators, painters, photographers: Fernand Léger, Jean Vigo, Buster Keaton, Dave Fleischer & Max Fleischer, Edwin S. Porter, Man Ray, Hans Richter, Marcel Duchamp, Alexander Calder, Winsor McCay, Augusto Genina, René Clair & Georg W. Pabst. Iconic images and figures – Louise Brooks, Lois Lane and Clark Kent/Superman, Michel Simon, Dita Parlo, Jean Dasté, and Kiki de Montparnasse – populate the video album playlist.

“Oh, this is wonderful, it really is,” says Slovenia’s Milka of an advance screening, “I love it.” The art-aficionado from Izola comments: “It is marvellous amalgamation of Allison’s voice and movie’s poetry. Both benefit from each other and give a viewer another dimension for song’s interpretation. While the movie, not known to me, suddenly takes me to place where one never ages. Love it.”

Curtains rise on Allison Crowe’s “16 Songs” video album daily from the New Moon of September 23 to the Full Moon of October 8, 2014. Visit your favourite online video portal to know how it feels.

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16 Songs – Video Album

We now know the song listing for Allison Crowe’s upcoming 16 Song music video series:

Disease

Why

Circular Reasoning

Creep

There Is

Doughnut Song

Running

Mona Lisas and Mad Hatters

Spiral

Sweet Dreams

Effortless

Josephine

Double-Edged Swords

Running for Home

Alive and Breathing

Throw Your Arms Around Me

Allison Crowe - 16 Song Video Album - cover

This new music video series launches September 9, 2014 (a shift from the September 2 date originally announced).

A magical mystery tour of music with visuals from great artists and innovators of the 20th and 21st centuries – film-makers, animators, painters, photographers and more… – it’s a multi-media expression of the artist’s mission to make “Soulful. Alive. Joyous. Grievous. Real, true, music.” ( http://allisoncrowe.com/bio.html )

This 16 song video album pairs Allison’s originals with some singular interpretations – underscoring an observation of Allan Showalter, aka DrHGuy, delightful chronicler “On Life, Love, Lust, & Leonard Cohen” – “Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song.” ( http://1heckofaguy.com/2009/01/27/wedding-song-allison-crowes-small-masterwork )

It’s a season of cryptic crosswords and other, puzzling, fun. Here, now, are 16 visual clues – screenshots from each of the videos in the series. Some you may recognize, some you may not have seen before…

Imagine which goes with which song in the set-list – this September details will be revealed, and matches will be made.

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