16 Songs – Video Album

We now know the song listing for Allison Crowe’s upcoming 16 Song music video series:

Disease

Why

Circular Reasoning

Creep

There Is

Doughnut Song

Running

Mona Lisas and Mad Hatters

Spiral

Sweet Dreams

Effortless

Josephine

Double-Edged Swords

Running for Home

Alive and Breathing

Throw Your Arms Around Me

Allison Crowe - 16 Song Video Album - cover

This new music video series launches September 9, 2014 (a shift from the September 2 date originally announced).

A magical mystery tour of music with visuals from great artists and innovators of the 20th and 21st centuries – film-makers, animators, painters, photographers and more… – it’s a multi-media expression of the artist’s mission to make “Soulful. Alive. Joyous. Grievous. Real, true, music.” ( http://allisoncrowe.com/bio.html )

This 16 song video album pairs Allison’s originals with some singular interpretations – underscoring an observation of Allan Showalter, aka DrHGuy, delightful chronicler “On Life, Love, Lust, & Leonard Cohen” – “Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song.” ( http://1heckofaguy.com/2009/01/27/wedding-song-allison-crowes-small-masterwork )

It’s a season of cryptic crosswords and other, puzzling, fun. Here, now, are 16 visual clues – screenshots from each of the videos in the series. Some you may recognize, some you may not have seen before…

Imagine which goes with which song in the set-list – this September details will be revealed, and matches will be made.

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Allison Crowe’s Timeless Voice Lifts “Heavy Graces”

Heavy Graces” is out now.

It’s musician Allison Crowe’s second album of new recordings in 2013 – the releases book-ending Crowe’s cameo appearance in the Hollywood blockbuster, “Man of Steel”, and her curating and music-directing TNL’s stage production of “Newfoundland Vinyl”, an hit show at this Summer’s Gros Morne Theatre Festival.

On this latest collection the Canadian artist is writing, singing, playing piano, guitar, doing percussion, engineering, production, album art, and photography. And she’s picked up her Great-Grandfather’s fiddle and includes it on several tracks – adding shades of Scarlet Rivera, had the Rolling Thunder Revue sought shelter from the storm in Corner Brook, NL.

“It seems our favorite independent singer-songwriter is more determined than ever to forge her own path. I predict we’ll be seeing Allison Crowe not once but twice on our best of the year list,” says music blog Muruch @ http://www.muruch.com/2013/10/allison-crowe-heavy-graces.html

Muruch’s review of “Heavy Graces” references, as well, “Newfoundland Vinyl”, Allison Crowe’s LP of popular and traditional songs of the island region where she’s home on the Atlantic. It’s an album which has listeners recalling Bob Dylan and Joan Baez, Ryan’s Fancy, Anais Mitchell, and the McGarrigle sisters, Kate and Anna.

All told, Crowe’s released three albums so far this year: “Songbook”- an oeuvre-spanning 22-song compilation – the music of which, naturally, draws more diverse praise including comparisons with Solomon Burke, Joni Mitchell, and Modest Mussorgsky – all the while Crowe’s passionate singularity is recognized and enjoyed by critics and fans alike.

Heavy Graces“, features new songs from the pen and soul of Allison Crowe, alongside her interpretations of tunes composed by Leonard Cohen (“Famous Blue Raincoat” – in two versions) and Pearl Jam’s Eddie Vedder (“Better Man”).

Allison Crowe delights in working with today’s film directors – this year, Tom Anton on “The Pardon”, and Zack Snyder for the Superman reboot, “Man of Steel” – and their amazing production teams.

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Via today’s digital archives, there’s now opportunity for artistry and fun to combine music and movies in timeless fashion. The songs of “Heavy Graces” are accompanied visually, in video form, by a series of excerpts from silent-era, and other classic b/w, films from directors D.W. Griffith, Josef von Sternberg, Buster Keaton and Clyde Bruckman.

(Album @ http://www.music.allisoncrowe.com/album/heavy-graces and via iTunes, CD Baby, Amazon, and all major music services online.)


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Famous Blue Raincoat (choral) – Allison Crowe (Heavy Graces)

Famous Blue Raincoat“, its composer, Leonard Cohen, says, reflects on the “tyranny” of possession — of the kind that enslaves us as women and men.

It’s territory covered here by musician Allison Crowe. (Crowe’s previously celebrated the Cohen songbook via renowned interpretations of “Hallelujah“, “Joan of Arc” and other tunes from the master songsmith.)
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Impressionistic visual accompaniment comes via film scenes from “The Blue Angel” (“Der blaue Engel” first released in Europe in 1930 saw its full North American release the following year.)

This choral rendition of the Leonard Cohen classic is the first of two versions recorded by Allison Crowe for her album “Heavy Graces“.

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Heavy Graces – Track Listing + Release Date

Heavy Graces“, Allison Crowe’s newest music is released October 15, 2013.

Here’s the track listing:

1. Through These Heavy Graces (Allison Crowe)
2. Famous Blue Raincoat (choral)  (Leonard Cohen)
3. You All Haunt Me (Allison Crowe)
4. Words (Allison Crowe)
5. Better Man (Eddie Vedder)
6. Control (Allison Crowe)
7. Dissolve (Allison Crowe)
8. Famous Blue Raincoat (Leonard Cohen)

Music, videos and more are rolling our way :)

Image: still from Buster Keaton’s “The General

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Allison Crowe in Triple-Bill of Summer Hits

Movie, stage show, and vinyl LP find Canadian musician flying high in unique style

“Weirdly typical” is how the dean of Canadian rock music critics, Tom Harrison, describes the newest album from Allison Crowe. That fun billing aptly suits the approach Crowe’s taken to establishing herself as one of the great voices in popular music – as singer, songwriter, instrumentalist, live performer and more.

The 31-year-old bi-coastal Canuck celebrated in New York City earlier this Summer at the red carpet premiere of “Man of Steel” – the epic new Superman movie directed by Zack Snyder in which Crowe cameos as “Singer in Cassidy’s” – the bar where Clark Kent busses. MoS tops Yahoo!’s “Ultimate Summer Movie Poll”, (in this, Hollywood’s highest-grossing Summer ever), via its fresh science fiction vision crafted by a stellar cast and crew. The Warner Bros. mega-production has now grossed over $650 million at the global box office.

Allison Crowe flew directly from festivities in NYC to rural Newfoundland for the release of her newest album – a collection of traditional tunes and vinyl-era songs of the region on which she provides all voices, instrumentation and production. “Newfoundland Vinyl” finds its name and inspiration in TNL’s hit musical show that’s delighted audiences these past two Summers at the Gros Morne Theatre Festival.

And the recording’s struck a chord ’round the planet. Muruch, on its own site and the No Depression blog, was first to rave: “It has the timeless beauty of a classic folk album.” The Celtic Music Fan blog, calling it an “one-of-a-kind must-have album”, says “There is something about this album that makes the songs become the soundtrack of your life.” The Province newspaper’s Tom Harrison off the top underscores the quirky nature of things – selecting the album “CD of the Week” and noting it’s not a CD: “Crowe’s ninth record is weirdly typical of her in that it defies convention, stick-handles around the pop idiom, shows imagination and daring, and opts for vinyl.” East Coast Kitchen Party, an hub for Atlantic Canada’s arts, entertainment and lifestyle news, points to the distinctive kitchen party-type approach to creation: “It seems simple, but it really is a classic treatment of the classic songs that are performed by Crowe. She has renewed with stylish vigor traditional songs that deserve new life and interpretations.” ECKP offers: “This record was made for sitting back in the big chair while relishing a favourite drink. Maybe Screech. It will probably bring a tear to the eye of a few. It’s that good.”

(Screech, a potent mainstay of Newfoundland life and lore, is an island tradition since the days when salt fish was shipped to the West Indies in exchange for Jamaican rum.)

Newfoundland Vinyl”, Theatre Newfoundland and Labrador’s GMTF stage production, has just wrapped its two-month run. Allison Crowe, the show’s song curator and musical director, is home in Corner Brook, NL readying a panel presentation for the geek and nerd-fest that is Atlanti-Con 2. Atlantic Canada’s colourful convention celebrating sci-fi, fantasy, comics, gaming, anime+ happens September 28 and 29, 2013 at the city’s Sir Wilfred Grenfell Campus, MUN.

In dog-eat-dog entertainment world, Canada’s Allison Crowe dishes unique success – pictured here, Allison’s friend, Link

This time last year Crowe was preparing to rejoin Canada’s Royal Winnipeg Ballet for a second engagement performing songs of Leonard Cohen on-stage with the company’s amazing dancers. The RWB, inspiring and vital as ever, will mark its 75th anniversary in 2014. Right now, a very different sort of institution, also high-flying and one with which Allison Crowe’s honoured and delighted to meet and experience in collaboration, turns 75. To salute Superman reaching the milestone, Canada Post and the Winnipeg-based Royal Canadian Mint this week issued philatelic and numismatic tributes. The Man of Steel leaped onto the world stage in Action Comics #1 – a joint creation of great friends, Toronto, Canada-born illustrator Joe Shuster and American writer Jerry Siegel (born in Cleveland, Ohio).

In a recent feature, “Canadian Music Rocks the Global Stage”, Epoch Times’ nation reporter Justina Reichel tells readers: “Singer-songwriter Allison Crowe is well aware of what it takes for a Canuck to achieve commercial success internationally.” The uber-independent musician’s choices on “the long road to success” are, indeed, weirdly typical – and, for her, an artist of supreme talent and integrity, the only way to fly.

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East Coast Kitchen Party Spins Newfoundland Vinyl

East Coast Kitchen Party serves up a stack of Atlantic Canada’s Arts, Entertainment and lifestyle news. At plate now is the site’s review of “Newfoundland Vinyl”, the new hale and hearty song collection from Allison Crowe – an LP that finds its name and inspiration in TNL’s hit musical show that’s delighted audiences these past two Summers at the Gros Morne Theatre Festival.

“It seems simple, but it really is a classic treatment of the classic songs that are performed by Crowe. She has renewed with stylish vigor traditional songs that deserve new life and interpretations,” says ECKP. “This record was made for sitting back in the big chair while relishing a favourite drink. Maybe Screech. It will probably bring a tear to the eye of a few. It’s that good.”

East Coast Kitchen Party - review of Allison Crowe's Newfoundland Vinyl LP

Feast on the full review, stream ECKP radio and more @
http://www.eastcoastkitchenparty.net/Music_Newfoundland_Vinyl.php

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“Canadian Music Rocks the Global Stage” reports Epoch Times

Journalist Justina Reichel keys on the Canadian music revolution inThe Epoch Times. US-based blogger Muruch recently commented: “I’m starting to think Allison Crowe’s DIY folk style is Canada’s answer to Ani DiFranco…” and in this new feature article Crowe reveals her recipe for success.

Allison Crowe Zack Snyder - Man of Steel - film set - Clay Enos / Warner Bros.

B.C. musician Allison Crowe with Hollywood director Zack Snyder on the set of “Man of Steel” in Cassidy, B.C. Canadian music is becoming more popular and lucrative around the world, according to the Society of Composers, Authors and Music Publishers of Canada. (Courtesy Clay Enos/Warner Bros)

Above – as pictured and reported in The Epoch Times feature: “Canadian Music Rocks the Global Stage” – click on the photo or newspaper and story titles for links to reach the full, in-depth, news reportage. Or, or use this URL below:

http://www.theepochtimes.com/n3/244344-canadian-music-rocks-the-global-stage

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“I saw rock and roll future…”

Tom Harrison, dean of Canadian rock music critics, writes for The Province newspaper – the most widely-read daily in the province of British Columbia.

It’s a long holiday weekend across Canada – and, due to a quirk in the world of online/print media, we’re able to read what’s published next Tuesday in the paper – and, therein his weekly Garage column, Harrison selects:

CD OF THE WEEK

“Allison Crowe is bi-coastal and her latest record on her own Rubenesque label isn’t a CD. She is from Nanaimo and her manager still lives on Vancouver Island, so, the island ties are there even if she now lives most of the time in Corner Brook, Nfld. Crowe’s ninth record is weirdly typical of her in that it defies convention, stick-handles around the pop idiom, shows imagination and daring, and opts for vinyl. Her Newfoundland Vinyl balances traditional folk and more contemporary sounds that serves as well as a soundtrack to a Newfoundland festival. A marvellous singer, Crowe plays down vocal gymnastics in favour of restraint, which translates as respect. The arrangements are minimal — often no more than guitar enhanced by background vocals — with a little humour thrown in to lighten the load.”

http://blogs.theprovince.com/2013/08/01/tom-harrisons-garage-for-aug-6

Alongside those fine stores in Newfoundland and on Vancouver Island previously noted, “Newfoundland Vinyl”, ((limited-edition 180 gr. vinyl LP incl. digital d/l code), is now available in Vancouver, Canada at:

Highlife Records (1317 Commercial Drive); Neptoon Records (3561 Main); Red Cat Records (4332 Main); and Zulu Records (1972 – 1976 West 4th)

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Muruch + Music = Win, Win

There’s 10 days still to shake the world, and enter Muruch’s marvelous musical contest for your chance to win a copy of Allison Crowe’s “Newfoundland Vinyl” LP + d/l code – the collection of songs about which the veteran, West Virginia-based, music blogger says: “It has the timeless beauty of a classic folk album.” (read the full review @ http://www.muruch.com/2013/07/allison-crowe-newfoundland-vinyl.html

It’s fun, it’s simple, and you only live once! (unless you’re James Bond… or a cat)

<a href=”http://music.allisoncrowe.com/album/newfoundland-vinyl”>Newfoundland Vinyl by Allison Crowe</a>

Allison Crowe - Newfoundland Vinyl - LP / album cover

For the scoop, visit Muruch’s reminder post – http://www.muruch.com/2013/07/giveaway-reminder-win-allison-crowes-new-album.html – and/or the original invitation to claim your prize music – http://www.muruch.com/2013/07/giveaway-win-1-of-5-allison-crowe-vinyl-lps-digital-downloads.html

Good luck/bon chance!!

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“Newfoundland Vinyl” LP Readies to Set Sail

Artwork and the track listing for “Newfoundland Vinyl”, Allison Crowe’s 11th release on Rubenesque Records Ltd., is ready. The album’s music sets sail worldwide next month.

As Musical Director for Theatre Newfoundland and Labrador’s production of “Newfoundland Vinyl: The Flip Side” at the Gros Morne Theatre Festival, Crowe’s active now curating and arranging songs for this Summer’s cast.

It’s a rich and varied collection harvested from the island region’s popular music and oral traditions – and from which she’s culled a selection for her vinyl LP. The album’s 10 tracks traverse parlour songs to country tunes and folk favourites, songs of land and sea that share the strength and the struggles, the heartbreaks and the humour, of a people.

Recognized as one of the great modern interpreters of song, Allison Crowe’s singular performances deliver familiar and much-loved songs afresh and with renewed joy.

Coming next month, then, is Allison Crowe’s take on these songs that, over 200 years, come from, and out of, Newfoundland and Labrador – with ageless melodies and meaning:

Black Velvet Band – lively traditional song recorded on both sides of the Atlantic, including a version by the legendary Harry Hibbs

Easy – penned by Terry Skinner and made a classic radio hit by country star Eddie Eastman

Men Who Die for a Living – Gary O’Driscoll, award-winning songwriter and producer from St. Lawrence and the South coast, wrote this potent elegy “for the miners here and gone”

Cliffs of Baccalieu – Jack Withers’ sea-faring song has previously been sailed by such distinct voices as Anita Best and Stan Rogers

Skipper Billy’s Wake – songwriter Ellis Coles’ jaunty mix of moonshine, Screech and more was well popularized by Dick Nolan

Sonny’s Dream – Newfoundland’s “Man of 1000 Songs”, Ron Hynes, created this anthem of the heart and home

Tiny Red Light – a traditional Newfoundland song revitalized in the vinyl era by The Dorymen (popular east-coast combo founded by John Drake and Tom Rose – a pair of lads out of Fortune Bay communities Belleoram and Bay du Nord)

The Mobile Goat Song – composed by St. John’s Tom Cahill, frequent collaborator with “Newfoundland’s First Lady of Song”, Joan Morrissey, who released this fun romp on her 1973 LP “Home Brew

Seven Old Ladies – a bawdy song which musically plumbs a 1700s nursery rhyme, (“Johnny’s So Long at the Fair“) – and a tune also recorded by the great Joan Morrissey

Sweet Forget Me Not – first published in 1877, this tender tune by Bobby Newcomb was the first single, and a vinyl hit on the mainland as well, for Cape Shore’s Eddie Coffey

Allison Crowe’s “Newfoundland Vinyl” album launches June 25, 2013.

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